Becca Lynn, Untitled (Burnt Orange)
oil on stretched canvas, 50” x 50”
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The artist on her work: “Through large-scale abstract work that often references the body, I explore whole versus part, where one thing stops and another begins, and how color changes in its relation to the color around it.”
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To display this piece in your space, subscribe to enroll your wall then note this piece in the artwork request form.
Becca Lynn, Untitled (Burnt Orange)
oil on stretched canvas, 50” x 50”
•
The artist on her work: “Through large-scale abstract work that often references the body, I explore whole versus part, where one thing stops and another begins, and how color changes in its relation to the color around it.”
•
To display this piece in your space, subscribe to enroll your wall then note this piece in the artwork request form.
Becca Lynn, Untitled (Burnt Orange)
oil on stretched canvas, 50” x 50”
•
The artist on her work: “Through large-scale abstract work that often references the body, I explore whole versus part, where one thing stops and another begins, and how color changes in its relation to the color around it.”
•
To display this piece in your space, subscribe to enroll your wall then note this piece in the artwork request form.
Becca Lynn
“I am interested in how relationships form identity. How we are far less solid than we think we are, much more malleable, ever-changing, much leakier. Our place in relation to time, place, objects, and other people has far more to do with our identity than some mythic personality.
There are formal concerns within the palate that reflect this question of relationship. Some of the colors would be called the same color outside of the context of the work itself; that is to say, they act differently only because of their relationship. This color acts more red, where this color acts more blue, while seen apart in different rooms, most of us would call it purple.”